Writer · Independent AI researcher · Photographer

I trace what technology, memory and time leave behind—in people, systems and images.

01 / Field notes

I’m a Czech writer and independent AI researcher working across AI, internet culture and human–technology relationships. I contribute to WIRED Czechia, study long-term human–AI interaction and make black-and-white photographic work.

Explore selected work
Black-and-white conceptual photograph of branching hand shadows repeating across a textured wall
Shadow studyFrom the photographic archive

02 / Selected now

A closer look at the ordinary.

A stylised open refrigerator filled with food and products

AI Is No Longer Just Entering Our Work. It Is Entering Our Fridge.

As artificial intelligence moves into domestic routines, the refrigerator becomes a surprisingly intimate site of automation, prediction and everyday negotiation.

Read the original in Czech

Pragmatic Adaptation

What happens when a human–AI dialogue lasts for months rather than minutes? A longitudinal autoethnographic study across 5.5 million characters of interaction.

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Parents on WhatsApp, Children on Roblox

Millennials are no longer simply digital natives. They have become the family firewall—and the IT support connecting several generations at once.

Read the original in Czech

03 / Selected writing

2010—present

Technology becomes culture when it enters ordinary life.

I write reported features and essays on AI, internet culture, social media and the ways emerging technologies reshape everyday life, work, creativity and relationships. My work combines research, expert interviews and cultural analysis without flattening complexity. I currently contribute to WIRED Czechia; earlier work includes film criticism and cultural writing for Cinepur, Cinema, 25fps and Asianstyle.cz.

WIRED CzechiaCinepurCinema25fpsAsianstyle.cz

04 / Research

Between human and model

What emerges when dialogue becomes an environment?

I study long-term human–AI dialogue from inside the interaction, focusing on the adaptations, continuities and user-specific patterns that short encounters rarely reveal. This work is informed by hands-on experience evaluating Czech-language AI outputs for accuracy, reasoning, tone and natural language use.

I have also discussed this work with researchers at Leiden University, the University of Southern Denmark, the University of Amsterdam and the University of St.Gallen.

ResearchGate profile
  1. 01May 2025Memory and NeutralityOpening question
  2. 02June 2025Context ImprintObserved pattern
  3. 03August 2025The EUCI FrameworkTheoretical model
  4. 04September 2025Pragmatic AdaptationExtended study

05 / Photography

Narratives in black and white.

Photography is not an illustration of the written work. It is a parallel way of thinking—in frames, interruptions, textures and things that only become visible when ordinary context falls away.

An uprooted tree in a stark black-and-white landscape
Series 01Landscape study · 2021

Landscape That Remembers

A diptych in which an eye merges with cracked organic structures
Series 02Layered study

Double Presence

Black-and-white architectural photograph of windows and writing on a wall
Series 03Urban study · 2023

Hidden Frames

I received First Prize in the Pandemic category at the 2022 Czech National Photography Competition for Omezené možnosti, as well as the Foma Prize for Na lovu. Four of my photographs also received an award from the East Bohemian Photographers’ Association at Premiéra 2023. Selected works have been exhibited across the Czech Republic and Slovakia.

View the current archive
Portrait of Květa Lujková
Květa LujkováCzech Republic

06 / About

The work grew from several ways of looking.

My route into this work began with film: first as a student and research assistant, then through criticism, editing and digital media.

I hold a master’s degree in Film Studies from Masaryk University. Over more than a decade, I wrote about cinema and culture, edited digital media and spent five years at Sony Pictures Entertainment. That path trained the same habits my work relies on now: looking closely, connecting contexts and staying with a question after the obvious answer has run out.

I grew up in a small village surrounded by forests, an environment that continues to shape how I look at landscape, memory and the traces people leave behind. The same attention moves between my writing, research and photographs: different forms, but a shared interest in what becomes visible when familiar systems, habits and images are looked at for longer.